By bee grant peterkin
oil
h: 26 w: 30 d: 4 (cms).
This painting was made during lockdown 3 . Drawings were made on location and the painting completed in the studio
£150
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By fiona stevens
Acrylic on canvas
h: 44 w: 34 d: 4 (cms).
Portait of an Airedale Terrier poised ready to launch himself out of the canvas at any second (from a reference photograph by Karen Daniel Sizemore used with permission).
I love dogs and bright colours and combine the two in my paintings - dog portraits with colourful backgrounds to make people smile. My aim is to catch a snapshot of each dog's character and individuality, and I choose a background colour to complement the mood and make the dogs really stand out. I paint mostly in acrylics, because they allow me to build up layers of colour and detail.
£200.00
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By dorothy bark
Etching
h: 40 w: 48 d: 2 (cms).
A striking rock formation on the Isle of Skye
£190
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By dorothy bark
Etching
h: 46 w: 35 d: 2 (cms).
Levens Hall is famous for its topiary
£180
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By dorothy bark
Etching
h: 34 w: 39 d: 2 (cms).
The famous bridge in Florence.
£95
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By Yolanda Moreno
Watercolour
h: 38 w: 56 d: 1 (cms).
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By Yolanda Moreno
Watercolour
h: 33 w: 42 d: 1 (cms).
£195
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By Yolanda Moreno
Watercolour
h: 28 w: 38 d: 1 (cms).
£195
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By peb burfoot
Oil on board
h: 86 w: 86 d: 3 (cms).
Painted in the studio from sketches and photographs made whilst on a return trip to Trevellas on the north Cornish coast in September 2020.
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By peb burfoot
Oil on board
h: 58 w: 71 d: 3 (cms).
A subject that I keep returning to, Watergate Bay is near Mawgan Porth on the north Cornwall coast. Painted primarily by knife on cradled gesso board.
£965
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By peb burfoot
Graphite on paper
h: 47 w: 61 d: 2 (cms).
One of a series of drawings of Stonehenge which I have recently embarked on.
£340
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By peb burfoot
Graphite on paper
h: 47 w: 61 d: 2 (cms).
Another in the recurring theme of rocks and holes, in this case Black Church rock on the north coast of the Hartland peninsular.
£340
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By fen d'lucie
Bronze on bronze plinth
h: 34 w: 66 d: 13 (cms).
Limited Edition of 10: number 2. Abstract form. Inspired by nature's intrinsic partnership with movement. Modelled in wax.
(Note: Additional edition numbers cast on request.)
£3100.00
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By fen d'lucie
Bronze on bronze plinth
h: 86 w: 25 d: 14 (cms).
Limited Edition of 10: number 2. Abstract form. Inspired by nature's intrinsic partnership with movement. Modelled in wax.
(Note: Additional edition numbers cast on request.)
£3100.00
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By fen d'lucie
Bronze
h: 66 w: 40 d: 20 (cms).
One-off unique sculpture. Abstract form. Inspired by the energy of heat. Modelled in wax.
£4550.00
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By maggie wyman
Acrylics
h: 84 w: 105 d: 4 (cms).
One of a new series of Abstract designs based loosely on urban landscapes, an exploration in colour shapes & memories
£1400.00
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By maggie wyman
Acrylics
h: 50 w: 50 d: 4 (cms).
From my series of Abstract designs based loosely on Harbours, shapes & memories
£800.00
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By mavis hall
Acrylic
h: 35 w: 23 d: 1 (cms).
Hay bales after harvest on the Deverills
£120.00
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By mavis hall
Acrylic
h: 35 w: 23 d: 1 (cms).
My first abstracted landscape inspired by a photograph of a beach in Australia
£120.00
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Every Morning they Run to Me by sue hardy SGFA
Every Morning they Run to Me by sue hardy SGFA
120 / 270
By sue hardy SGFA
Charcoal
h: 64 w: 78 (cms).
£950
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By sue hardy SGFA
Charcoal
h: 38 w: 50 (cms).
£450
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By sue hardy SGFA
Pastel
h: 63 w: 63 (cms).
£950
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By sue hardy SGFA
Charcoal & Pastel
h: 54 w: 73 (cms).
£750
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By maureen bond
Watercolour
h: 54 w: 54 d: 1 (cms).
Watercolour on paper in a white frame.
£265
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By wendy gregory
Mixed media
h: 42 w: 96 d: 4 (cms).
Experimenting with various materials and making marks across a surface is a process I use, where colour and paint are allowed to become the subject. In Sea-swell thick paint was layered over thin washes and pushed into the surface. I scraped and washed back parts to reveal some under layers, so that changes in colour and its application revealed hidden meaning, a feeling, balance and an element of surprise.
Acrylic and ink on 6mm panel nestled inside a minimal off-white tray frame.
£350
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By maureen bond
Mixed Media
h: 48 w: 23 d: 1 (cms).
Watercolour and mixed media on paper in a white frame
£165
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By wendy gregory
Inks and W/C
h: 70 w: 93 d: 3 (cms).
As landscapes become perilously unsustainable, our imaginations of how the world could be remain steadfast and gives hope.
Changing Landscapes was painted from my kitchen window during an unusually wet spring, where daily flooding was followed by a national heatwave.
Inspirations:
Wabi-sabi: Appreciating beauty in imperfection and the impermanent beauty of nature.
Wet on wet Inks on Watercolour paper in off-white painted frame behind glass
£490
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By maureen bond
Watercolour
h: 55 w: 40 d: 1 (cms).
Watercolour on paper in a white frame
£295
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By david auld
Acrylic
h: 42 w: 42 d: 4 (cms).
Copses on low hills above a varied landscape are a recurring feature of the North Wiltshire countryside where I live and paint.
£295
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By david auld
Mixed Media
h: 47 w: 57 d: 2 (cms).
Painted en plein air in watercolour and acrylic on a windy day and trying to capture the swirling grasses.
£250
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By jude murton
Soft Pastel
h: 41 w: 30 d: 2 (cms).
Impressionistic style painting of yellow and blue flowers
£160
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By jude murton
Soft Pastel
h: 41 w: 30 d: 2 (cms).
Inpressonistic painting of bluebells in Duncliffe woods
£160
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By jude murton
Soft Pastel
h: 30 w: 41 d: 2 (cms).
Impressionistic painting of morning light on sea kale and beach grasses
£160
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By jenny farrer
Oil
h: 38 w: 50 d: 4 (cms).
View from above of a sandy beach with the tide going down in "Guernsey ".
£250
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By jenny farrer
Oil
h: 50 w: 37 d: 3 (cms).
View of one of Venice's canals in morning light
£275
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By rachel sargent
Acrylics, emulsion, crayon
h: 44 w: 34 d: 5 (cms).
A Woodland Stream in Cornwall running down to Loy Cove. A lockdown painting remembering places to feel safe in.
£520
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By rachel sargent
Monotype, graphite, gold leaf, emulsion paint
h: 44 w: 34 d: 5 (cms).
Memory of walking a lane in Dorset looking for signs of Spring
£450
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By ann warren
Acrylic
h: 51 w: 48 (cms).
Created using texture medium to add depth to the image
£275
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By ann warren
Acrylic
h: 51 w: 48 (cms).
Texture medium used to enhance the depth of the image
£275
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By ann warren
Acrylic
h: 51 w: 48 (cms).
Texture medium used to enhance depth of image
£275
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By ann warren
Acrylic
h: 70 w: 60 (cms).
Limited palette to add atmosphere to image
£345
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By eileen walkington
Oil
h: 48 w: 39 d: 1 (cms).
£375
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By yvonne auld
Mixed media/ collage
h: 72 w: 61 d: 2 (cms).
This work was inspired by a collection of World War 1 memorabilia donated to Chippenham Museum. The girl was drawn from life as I felt she fitted the setting which incorporated her feelings as her loved one went off to war.
£850
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By victoria garland
Etching with Aquatint
h: 70 w: 84 (cms).
£400.00
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By yvonne auld
ACRYLIC
h: 58 w: 48 d: 4 (cms).
This was a still life that took on an imagined background scene as I continued to paint it.
£450
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By yvonne auld
ACRYLIC
h: 67 w: 69 d: 3 (cms).
This painting was mainly painted en plein air in a local wood. I then continued to develop and finish it in my studio.
£550
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By yvonne auld
Silk paints hand painted on silk
h: 62 w: 61 d: 2 (cms).
This painting was inspired by a Chinese plate seen in a collection at Bristol Museum. I looked into the relevant Chinese mythology and discovered the story that if a carp swimming up theYellow River could leap the falls at the Dragon Gate successfully it would be transformed magically into a dragon.
£350
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By ellie morton
wood and metal
h: 120 w: 25 d: 25 (cms).
New life is born even through decay, destruction and death.
An Ash branch encapsulating a Redwood egg on a contrasting man made steel stand.
£195
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Porlock wier from north hill by david goddard
Porlock wier from north hill by david goddard
149 / 270
By david goddard
Acrylic
h: 50 w: 60 d: 4 (cms).
Capturing the wonderful summer colours on North hill Minehead, gorse and heather under a heavy summer sky, looking on to porlock wier, Exmoor and the beautiful colours of the Bristol channel.
£380
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By imogen bittner
Fabric- printed /painted
h: 81 w: 81 d: 5 (cms).
A simple still life arrangement, mostly stitched by hand, which uses the competing patterns of the prints as a focal point.
£950
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By camilla frederick
Oil painting on acrylic background on canvas
h: 60 w: 76 d: 4 (cms).
An oil painting of two Spanish Galgos.
£380
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By camilla frederick
Oil on canvas
h: 50 w: 60 d: 4 (cms).
Mother and Son is an oil painting that describes the deep unspoken bond between mothers and sons.
£450
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By camilla frederick
Oil on gold leaf
h: 30 w: 40 d: 4 (cms).
Deforestation is a portrait of an Amazonian chimp. The expression of sadness illustrates the tragedy of the depletion of the Amazon and the natural habitat of these and many other indigenous animals.
£255
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By damaris lee
Acrylic
h: 42 w: 60 d: 2 (cms).
Acrylic and pastel on canvas
£250
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By camilla frederick
Oil on canvas
h: 30 w: 40 d: 4 (cms).
An oil portrait of a woman from South Sudan. Currently the people of the Sudan are suffering from a catastrophic draught due to climate change. There is no water. Inhabitants and their livstock are dying of malnutrition. It is a crisis!
£475
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By beryl fraenkel
mixed media
h: 54 w: 54 d: 3 (cms).
Abstract painting
£500
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By beryl fraenkel
Mixed media
h: 54 w: 54 d: 3 (cms).
Abstract painting
£500
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By beryl fraenkel
Mixed media
h: 61 w: 68 d: 3 (cms).
Abstract painting
£600
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By tasmin paddock
Acrylic
h: 23 w: 23 d: 3 (cms).
'Road to Somewhere' is a 8x8 inch acrylic painting on canvas panel, framed in a wooden float frame.
It is hard to describe when you feel drawn to something for for some inexplicable reason, and the reference image for this was one of those moments. There is a closeness in the landscape surrounding the road which feels inviting, making you curious to see exactly where this road leads.
£240
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By tasmin paddock
Acrylic
h: 23 w: 23 d: 3 (cms).
'Distant Mountains' is a 6x6 inch acrylic painting on paper, mounted in an 8x8 mount in a deep stepped wooden frame.
I am drawn to landscapes that have contrast such as this one, from the snow-capped mountains to the closer warmth of the colours in the foreground, it was this feeling that I wanted to create; of admiration from a distance.
£80
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By jane barnard
Charcoal, pastel on cardboard
h: 87 w: 104 d: 2 (cms).
This large drawing is of a jerusalem artichoke root, in charcoal and pastel on cardboard. The texture of the cardboard gives a subtle pattern to the drawing. It is on a plywood support with a rustic wooden frame.
£350
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By jane barnard
Acrylic Pastel and pencil
h: 30 w: 30 d: 3 (cms).
'What a world' is a mixed media painting on a plywood panel. While we live in a troubled world we have to look out for the shafts of light to give us joy. It is framed in a white tray frame.
£195
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By jane barnard
Acrylic
h: 30 w: 30 d: 3 (cms).
'Sunset through the trees' is an acrylic paining on plywood panel framed in a white tray frame
£195
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By shelagh leakey
Mixed media
h: 80 w: 66 d: 2 (cms).
A LIFE MODEL TELLING THE VERY POIGNANT STORY OF HIS DREAM, AS A BABY, OF ESCAPE FROM GERMANY TO ENGLAND DURING THE WAR. THIS NARRATIVE, WHILST DRAWING, FILLED MY PAGE WITH THE THREADS OF HIS LIFE.
£450
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By rosemary trestini
Oil on Canvas
h: 60 w: 60 d: 7 (cms).
£900.00
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By keith musgrove
Steel
h: 35 w: 15 d: 25 (cms).
This piece comprising welded found agricultural and farrier's implements, is the third (and smallest) in an ongoing series of sculptures inspired by Homer's Odyssey.
£450
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By heather beadles
Watercolour
h: 42 w: 31 d: 2 (cms).
watercolour painting of snowy scene
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Winter time on Lodge Hill, Castle Cary by may rossiter Mrs
Winter time on Lodge Hill, Castle Cary by may rossiter Mrs
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By may rossiter Mrs
Acrylic
h: 20 w: 24 (cms).
This scene was inspired by a walk to the brow of Lodge Hill, Castle Cary after a couple of hours sledging.
£130
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By helen baddeley
Acrylic
h: 100 w: 30 d: 5 (cms).
This painting was part of a series based around the Cornish landscape. I particularly have been drawn to the contrast between the rouged cliffs and the shapes formed through them by the sea and the soft tones of the sand and glass like colours of the water.
£250
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By heather beadles
Watercolour
h: 37 w: 45 d: 2 (cms).
Bluebells in the Springtime at The Newt
£120
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By keith musgrove
Treated packing materials.
h: 53 w: 22 d: 12 (cms).
I made this sculpture using cardboard packing material, painted lacquered.and (accidentally) burned on one side. Rather than discard the damaged piece, I painted and applied a metal grid to cover the burnt section inspired by the Grenfell Tower tragedy ithe year before.
£300
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By michelle trulock
Pastel
h: 33 w: 38 d: 3 (cms).
Mo old man in turban in pastel
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By may rossiter Mrs
Charcoal and Pastel
h: 26 w: 26 (cms).
£130
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By amanda bennett
Acrylic
h: 23 w: 23 d: 2 (cms).
£65
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By miranda pender
Acrylic
h: 70 w: 70 d: 5 (cms).
A view from the ramparts of the Iron Age hillfort, using metallic acrylics juxtaposed with matt colours. One of a series of semi-abstract, stylised interpretations of local landmarks, in which I express the essence of the place by playing freely with colour, curve, and contour line. The design continues around the edges of the deep-edge canvas. I painted ‘Cadbury Castle’ on a reclaimed canvas bought for 10p in a jumble sale. You can see the ghostly impressions of the original abstract painting showing through!
£225
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By keith musgrove
Treated packing material with text
h: 13 w: 9 d: 9 (cms).
Having painted and lacquered this piece of packing material, I applied on one side an English translation of text taken from the Bhuddist 'Great Prajnya Paramita Sutra' using lengths of transparent electronic typewriter correcting tape. On the other side is handwritten a phonetic version of the original chant, which provided me with comfort during a time of suffering.
£350
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By miranda pender
Acrylic
h: 40 w: 40 d: 4 (cms).
A view of the iconic tower on the Bruton skyline, using a predominantly cool colour palette. One of a series of semi-abstract, stylised interpretations of local landmarks, in which I express the essence of the place by playing freely with colour, curve, and contour line. The design continues around the edges of the deep-edge canvas.
£120
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By gay loades-carter
Oil on canvas
h: 51 w: 41 d: 2 (cms).
£180
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By gay loades-carter
Oil on board
h: 50 w: 40 (cms).
£175
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By mary hickling
Oil on board
h: 60 w: 60 d: 2 (cms).
£200
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By kristen lindop
Inks on paper
h: 40 w: 50 d: 2 (cms).
Little Egret hunting among the rock-pools, Cornwall, October 2021. How large and brightly coloured its feet were!
My work is based on a joy of deep connection in the moment with subjects in the natural world.
I mix, splash, slide and pull inks onto paper, to recreate the sensation of those moments. Enhancing my experience of my natural subject’s character, behaviours, movements, shapes and colours. The inks may pull at the paper as they dry, creating radiating light and shadow, increasing the feeling of energy and life.
By sharing my paintings, I aim to create a sense of artist, viewer and subject meeting and connecting within the natural world.
£600
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By mary hickling
Painting on silk
h: 45 w: 45 d: 2 (cms).
£160
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By kristen lindop
Inks on paper
h: 40 w: 50 d: 2 (cms).
I love how much character the coastal birds in Cornwall have. Today the turnstones were particularly entertaining! I watched a group of them from a cliff top, as they ran around, very busily flipping stones and moving seaweed.
My work is based on a joy of deep connection in the moment with subjects in the natural world.
I mix, splash, slide and pull inks onto paper, to recreate the sensation of those moments. Enhancing my experience of my natural subject’s character, behaviours, movements, shapes and colours. The inks may pull at the paper as they dry, creating radiating light and shadow, increasing the feeling of energy and life.
By sharing my paintings, I aim to create a sense of artist, viewer and subject meeting and connecting within the natural world.
£600
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By tasmin paddock
Oil
h: 50 w: 50 d: 4 (cms).
'Dune' is a 50x50 cm oil painting on a deep edge canvas.
My inspiration for 'Dune' was watching the film with the very same name. The desert is renowned as being a very barren, inhospitable landscape. But, on a second glance, there is comfort in the solitude, the imposing dunes with soft edges and a wealth of rich, warm colours. The dunes themselves are grandiose and imposing, dark shadows contrast harshly against golden highlights, all stretching as far as the eye can see. I had never thought of painting sand dunes before this, but this film really altered my perception of a desert; I find them rather beautiful.
£2000
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By laurel wade
Oil on canvas
h: 44 w: 54 d: 3 (cms).
Stil life oil painting on canvas
£480.00
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By rowena payne
Watercolour, Caran d'Ache neocolor 2 soluble crayon, soluble Daler Rowney graphite
h: 64 w: 54 d: 3 (cms).
10 minute fast portrait of Robert George Sanders. Worked fluidly with soluble graphite, crayon and conte pencil into loose approximately placed pools of watercolour.
My practice is to work fast and capture the first, rich impression of character and emotion through disposition of head and in this case hands flexed in surprise or awe. Robert George Sanders is a curator of fashion, theatre and theatrical make-up, dance, vintage clothes and fabrics as well as being a florist. I love his dramatic, vibrant, and theatrical poses. His quixotic persona overlays a highly sensitive, creative, sociable, engaged character.
£400
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By laurel wade
Oil on canvas
h: 44 w: 54 d: 3 (cms).
Still life oil painting on canvas
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By rowena payne
Watercolour, Caran d'Ache neocolor 2 soluble crayon, soluble Daler Rowney graphite
h: 71 w: 52 d: 2 (cms).
A fast, loose portrait of Robert George Sanders. This is quickly drawn over 20 or so minutes. I draw with soluble media into pools of approximately placed watercolour. The watercolour fields are kept wet and workable to facilitate gestural marks and accidents of mark making to accompany fairly accurate proportion and thus gather that first emotional impression. It can be a risky process but always exciting and challenging!
I love this quirky, charismatic model, and his exotic and beautifully staged persona overlaying a highly sensitive, creative, original and sociable person. He is a curator of himself and other models, accenting movement, vintage fabrics, theatrical make-up, making for 'off the wall' allluring stances.
£400
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By rowena payne
Watercolour, Caran d'Ache neocolor 2 soluble crayon, soluble Daler Rowney graphite
h: 70 w: 51 d: 2 (cms).
Painting of Andrea, an italian life model and a favourite. Beautiful, elegant, with a searching gaze, a very experienced model who knows how to set a challenge!
My process is to combine loose, extremely fluid pools of approximately placed watercolour with strategically placed gestural drawing marks, using soluble graphite or crayon, sometimes conte pencil. I draw quickly, wanting to capture and not lose that first, intriguing impression, so collating character, physical presence, emotion and disposition. My sense is not to overwork a painting with redundant high detail and hopefully engage the viewer to keep returning to the work to make his/her own assessment.
This post was all of 20 minutes, one of a series from Andrea, featuring in a programme of 12 or so models in a New Year's Eve Sketchathon on Instagram through Scottish Borders Life Drawing Group via Zoom. It was fun and exhausting!!
£400
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By rowena payne
Watercolour, Caran d'Ache neocolor 2 soluble crayon, soluble Daler Rowney graphite
h: 62 w: 47 d: 2 (cms).
Life drawings of Katrin. A vibrant, highly expressive and constantly creative life model. She is a regular, favourite life model at my local life drawing group. Her poses are natural, simple and engaging, but make no mistake, always challenging!
This is of three, three minute poses, worked quickly and gesturally in places. I use soluble media, graphite, crayon and occasionally conte for a darker more dramatic line; and draw fast, into fluid, very wet and moving fields of approximately placed watercolour, as I only have 3 minutes! These were drawn in succession onto a sheet of A2 heavy cartridge paper. It's intriguing how the poses flow together!
£400
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By annie fry
Oil on linen beech panel
h: 13 w: 18 d: 3 (cms).
Work developed from studies in the local landscape
£420
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By annie fry
Oil on linen
h: 37 w: 47 d: 5 (cms).
Work developed from studies and considering the way life turns out and what could have been the reality now if circumstances had turned out differently
£750
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By morne eksteen
Oil
h: 25 w: 30 d: 2 (cms).
There were two main aims for thie study. One was to paint this still life using a limited pallette and secondly the style had refelct my love of classical art.
£260
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By judy hall
Acrylic based
h: 53 w: 53 d: 4 (cms).
1st of Slingers Series
£350
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By judy hall
Acrylic based
h: 53 w: 53 d: 4 (cms).
2nd of Slingers series
£350
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By judy hall
Acrylic based
h: 53 w: 53 d: 4 (cms).
3rd of Slingers Series
£350
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By judy hall
Acrylic
h: 82 w: 61 d: 2 (cms).
Based loosely on memories of Bristol
£395
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Hold and Protect, The Broken-Belted Bumblebee by hayley cove
Hold and Protect, The Broken-Belted Bumblebee by hayley cove
198 / 270
By hayley cove
Collagraph Print
h: 36 w: 26 d: 4 (cms).
£195
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By hayley cove
Monotype Monoprint
h: 40 w: 40 d: 3 (cms).
£178
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By hayley cove
Monotype monoprint
h: 32 w: 32 d: 3 (cms).
£178
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